America's Greatest Makers

I had the pleasure of competing against 23 teams of makers for the title of America's Greatest Maker and 1 million dollars. 

Tune in to TBS at 9PM on Tuesday night starting April 5th to catch the show. 

Synths and Bloops and Bleeps at The Bay Area Maker Faire

I have a booth at The Bay Area Maker Faire. 

Booth #55510 titled "Synths and Bloops and Bleeps." 

The purpose is to teach people about synthesis and get them to try it out and make some fun sounds. 
I will be bringing synths, a PA system, and a mixer. I am looking for other people to join me.
Shoot me an e-mail ( ) if you would like to bring a synth and jam out and teach or just swing by the booth and say hi. 

Intro To The Quill by Tabor

I've been working on The Quill for about 3 months now and figured it was about time to show off some of it's capabilities. 

The Quill is a wearable multi-instrument that sends MIDI data over BLE to your phone/tablet/computer/hardware. The Quill can be used as an instrument, as a means to add flavor to your instruments, and other uses that have been impossible until now. 

More updates to come....

BLE MIDI for All!!!


I've been waiting for the adoption of BLE MIDI in products for a while.
I first saw it when I received my Miselu Kickstarter keyboard. I was surprised at how
low the latency was and how reactive the interface was.

This year at NAMM, I saw that companies are starting to jump on the BLE MIDI
bandwagon. Korg has their wireless controllers, Yamaha has their self-powered dongles, ect.
I've been interested in using BLE MIDI myself for battery powered projects; I have too many ideas for 'wearable' MIDI controllers and cutting the wires would be great. 

I recently picked up a new Arduino 101 board:

It's the same size and same pinouts as the standard Arduinos, except this one uses Intel's latest and greatest SoC geared towards wearables, the Curie. 
I based my characteristic ID and service ID on Apple's BLE MIDI document ( since has yet to release an official spec. 

With that said, I have only tested this out with my iPhone (6s), iPad (air 2), and Macbook Pro, and it works perfectly. 

As shown above, you can go to your settings in an app like Apple's Garageband, choose Bluetooth MIDI Devices, and then connect to your device. In the example my device is called Tabor. After connecting, you are off to the races with whatever MIDI data you want to send and receive.

In a similar fashion, on OS X, you go to your Audio MIDI settings app and choose MIDI Studio. If you click on Bluetooth, you will see a window pop up looking for your advertising BLE MIDI compliant devices and give you a chance to connect to them.

When using OS X, once connected, your device shows up just like any other MIDI device on OS X, so your use is very flexible.

Here is the Github for the code:
Initially, I put up code for a bare minimum MIDI Sending device. I will be adding code for MIDI receiving and both together, along with some simple instruments you can implement with the Arduino 101.

As with everything, if you have any questions, feel free to reach out on twitter @auxren or email:

Update: added Airpeggiator instrument example.

Converting TC Electronics Pedals to Work With Eurorack (Including CV control)

I present these ideas as unproven and unfinished ideas. 
I've got a lot of stuff coming up and won't have the time to test this out fully, but I wanted to jot everything down and hopefully inspire others to try before I have a chance. 
Also, I have only tried this out with a Ditto. I have a Hall of Fame mini on the way and hopefully can test it out on that. I am suspecting that the construction and board layout is similar. 

After removing the 4 security screws under the rubber feet, you can take the bottom off. You'll then need to remove the nuts from the 1/4" jacks and the knob to fully take apart the pedal. After you do that, you will have 2 PCBs that connect via a 14-pin header as shown below. 

To add CV control over the knob, unsolder the pot. As shown in the picture above, the pads are for the 3.3V, wiper, and ground. 
You can replace the pot with something like the following circuit.

Using the switch in the jack, we can set the input to the default 3.3V. The pot acts in the same way as the pot on the device originally acted. The resistor and the zener limit the voltage to 3.3V so a CV of 10V with the potentiometer set to maximum would get cut down to 3.3V and nothing will get fried. In this case, the potentiometer acts as an attenuator for the CV.

On the underside of the PCB, we have the pads for the LED. I recommend removing the LED and replacing it with one on your panel panel so you can see what is going on. 

Another consideration is the USB jack. It would be great to have this accessible for any of the TonePrint capable effects so you can tweak the effect parameters with your computer or iOS device. My recommendation for this is to take a mini USB cable and cut it. Then get a female USB B jack that is panel mountable like the one below. Wire up the mini USB cable to the jack with the shortest wiring possible while preserving as much of the shielding as possible.

The back of the bottom board has the majority of the important connections. 

Starting off with power, we need to supply the boards with 9VDC. TC's website and manual says they require 9VDC at 100mA. I haven't risked giving them 12VDC to see if they still survive, but let's assume they don't. You'll need to knock the 12V down to 9V. Something like the snippet below will do for filtering the power from Euro and knocking the +12V rail down to 9V. I am sure you can find a better way to do it. I'd remove the barrel jack so you can fit everything in a bit better.

Remove the audio jacks. The 'switches' on them will prevent audio from passing without a cable plugged in. Wire up your 3.5mm jacks to the pins in the picture above. In to the in jack, out to the out, and the grounds.  

The signals will have to be attenuated to work with synth levels. To do this, I'd use Ken Stone's Stomp Box Adaptor circuit. I'd replace the voltage divider on the input with a potentiometer so you can adjust the input level if desirable. 

Next is the switch to enable/disable the effect, or in terms of the Ditto, record/play/ect. To deal with this, I recommend a Maxim DG418 analog switch.  It is, essentially a SPST switch in chip form. The IN pin takes in the gate signal that engages the switch when the pin is driven high. I recommend also adding a momentary pushbutton in parallel so you can operate the switch manually when you don't want to use a gate. This is beneficial in the case of the Ditto where you'd want to manually control the deletion of the loop recorded. 

The biggest reason I haven't fully pursued this is my weakness for my mechanical design. How should the PCBs be mounted to fit on a Eurorack module?

Inside the Korg SQ1

The $99 Korg SQ-1 sequencer is a really cool little box that leaves us all desiring a little more. I popped it open to get some pictures of the insides to start thinking of possible modifications.

Nothing immediately interesting on the back of the main PCB.

 The device runs off a Cypress Spansion FM3 32-bit ARM processor, much like the Electribe 2. Since most of the sequencing work is done in the processor, it would be difficult to do any mods that effect the sequencing.